Laura Almo

The 19th annual Invisible Art Visible Artists event with Academy award-nominated picture editors took place on Saturday morning, February 23 at the Egyptian Theatre in Hollywood. As in preceding years, …

When the curtain rises on “Hollywood’s Biggest Night,” which it will again on Sunday, February 24 this year, the global audience tunes in to watch the Academy Awards live. People …

On their first film as co-editors, Joi McMillon, ACE, and Nat Sanders, ACE, made a name for themselves in the independent filmmaking world with the runaway indie hit ‘Moonlight’ (2016), …

When Jacques Gravett, ACE, first started working in television, any talk of diversity in Hollywood was a long way off. The industry was comprised of mainly men, most of them …

The acclaimed web series “Transparent,” created by producer/writer/director Jill Soloway (“Six Feet Under,” 2001-05, and “United States of Tara,” 2009-11), has made waves on television and in the LGBTQ community.

“Lillian Benson is one of the most gifted, resourceful and dedicated editors with whom I have had the privilege to work,” said Debbie Allen. “From Eyes on the Prize II to The …

In the midst of a career in television, picture editors may think about how many years they’ve been on a show, but they may not stop to consider how many …

“Behold Kunta Kinte.” If those words ring a bell, you were around for Roots, one of the most forward-thinking and groundbreaking events in the history of television.

The idea to reboot the legendary, award-winning miniseries Roots nearly 40 years later was executive producer Mark Wolper’s, and it did not come easily.

It was the late 1920s and Jack Foley was a producer, director and writer working at Universal Pictures at its old location on Ventura Boulevard in the San Fernando Valley.