A handful of television editors at different stages in their careers recently sat down with CineMontage to discuss the past, present and future of editing for TV.
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“The interesting thing with Chris Nolan, the director, is that his idea is never to cut with music––to force you to be selective and to make all of the hard …
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CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work.
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Although these occurrences are far from commonplace, they are testament to the talent of these assistants-turned-editors.
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Russ Denove spoke to CineMontage briefly and reflected on editing the ‘Fringe’ pilot.
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It wasn’t until I sat down with my footage that I truly learned about the art of editing.
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The real superheroes of these films can be found not only behind the scenes, but below the line. In the editing suites, for instance.
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