Rob Callahan

We have been spending a lot of time at home.

Five years ago, I began a relationship with an unlikely companion.

One of the social media companies competing for my ever-diminishing supply of attention sends me almost daily e-mails imploring me to log onto its site so that I can build …

by Rob Callahan Last June, my column in these pages invoked the cinematic trope of the cliffhanger to describe a moment in which organized labor in the US teetered precariously …

Post-production employees of Vice Media, Inc. have overwhelmingly ratified a Motion Picture Editors Guild union contract. The agreement addresses employee’s concerns over pay and job security, and also breaks new …

This issue of CineMontage, for all its many virtues, isn’t the most important piece of mail you’ll receive this month. Local 700 members, as well as members of our 12 …

Conflict between labor and management is nothing new. The period of post-WWII prosperity in which US union density reached its peak was decidedly not an era of labor peace.

The editorial employees of Nickelodeon Animation Studio have overwhelmingly elected to unionize with the Motion Picture Editors Guild, Local 700 of the International Alliance of Theatrical Stage Employees (IATSE).

Deciding to organize in the workplace is itself a kind of resolution — one appropriate for the new year or any other time a change is warranted.

The folks who craft trailers make regular use of a particular species of musical cue: a sustained droning growl of a note, signaling looming menace.