“What I found challenging and what required a journey was to find the sound of Pinocchio. Let’s start with wood, so you bang pieces of wood together and you go, …
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Web Exclusives
How the Editing Team Behind ‘Shantaram’ Made the Epic Story of Mumbai Streets Come to Life
“We were juggling a thriller, a love story, and the friendship at the heart of a journey of self-discovery, change, and redemption.”
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“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece …
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Web Exclusives
Mike Sale on Editing ‘Black Adam,’ Judd Apatow Movies, and Developing Survival Skills
“I had worked at a movie theater where I saw hundreds of movies in front of audiences, from the late ’70s to the mid-’80s. I watched them so many times—things …
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Web Exclusives
Five Editors, ‘Five Days at Memorial’: The Post Team Talks AppleTV’s Post-Katrina Docudrama
“There was a real delicacy with how we wanted to handle everything, so we just had to figure [it] out… We didn’t want to color it in any manipulative way.”
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“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.”
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Web Exclusives
As ‘Better Call Saul’ Calls It Quits, Skip Macdonald and Nick Forshager Talk Post-Production
By Rob Feld Vince Gilligan’s “Breaking Bad” and its spinoff, “Better Call Saul” (co-created with Peter Gould), played significant roles in revolutionizing the television one-hour drama and expanding what …
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Robert Florio Has Cut 100 Episodes of the Cbs Hit ‘Ncis: Los Angeles.’ ‘I Wish I Had Gotten Into Series Many Years Earlier,’ Says the Onetime Indie-Movie Gofer.
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“If the performance is fantastic, if the story is being told, why interrupt that with a cut?”
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It’s Not All About the Kick to the Crotch.
