An informative panel discussing the workflow for visual effects in the editing suite, as part of the ongoing “Partnerships in the Editing Room” seminar series, which examine editorial workflow in …
This year’s Oscar nominations in the Sound Mixing category are for movies that focus on arduous journeys and tasks, some leavened with comedic moments.
Since 2010, Rizzoli & Isles has been entertaining television audiences with the snappy banter between its two leads, Detective Jane Rizzoli (Angie Harmon) and Medical Examiner Dr. Maura Isles (Sasha …
“I thought this would end fast, and I’m shocked that I’m still doing it.” – Mo Henry
The independent movie is infused with the iconic sounds of the 1960s group and shows the in-studio process.
When nonlinear editing systems first appeared nearly 25 years ago, a lot of people scratched their heads. Who could edit with a picture you could barely see and a hard …
When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as …
In the MAY-JUN 14 issue of CineMontage, writer Mel Lambert surveyed sound designers, sound editors and supervising sound editors about the Digital Audio Workstation add-ons that they use to get …
For over 100 years, the unsung heroes of the film industry have been the thousands of men and women who work in film laboratories.
Robert C. Jones grew up in the film industry; his father, Harmon Jones, was a feature film editor (Gentleman’s Agreement, Panic in the Streets, among others) and later TV director …
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