When director Quentin Tarantino visualized his newest revenge Western, The Hateful Eight, as a 70mm widescreen production, sold it to distributor The Weinstein Company as such, and eventually upped the …
Now, after years of field-testing pre-release versions of ACES on selected projects, ACES version 1.0 is finally available as, according to the Academy
Just as the show itself tells the story of an organized team of spies, agents and heroes on a mission to protect the world, the editorial mission requires a similarly …
The Academy Award nominees for Film Editing this year exemplify the importance of the collaborative role of the editor in shaping a director’s vision.
The release of Hancock’s current film, Saving Mr. Banks, which tells the tale of the making of Disney’s famous film, Mary Poppins, puts the spotlight on an unlikely pairing in …
Ben Affleck has a “particularly clear mind” when it comes to the editing process and understanding his editor’s needs while he is shooting, according to William Goldenberg.
The editors who put together ABC’s Dancing with the Stars each week readily concede that they have a massive job on their hands. Indeed, the seven offline editors who cut …
Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s …
If ever a single feature film illustrated the painstaking effort editors go through to bring disparate parts together to create a greater whole, David O. Russell’s The Fighter would be …
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