Michael Kunkes

“Brando’s voice and presence serve as a memory bridge back to that time.” – Craig Berkey supervising sound editor/sound designer

‘Superman Returns’s team of assistant editors, led by Liza Espinas-Regnier, had their hands full, getting this show onto the screen.

Jay Wertz has created a lavish and richly detailed combination of words and pictures exploring every major event of what has often been called the first modern war.

CineMontage spoke with Michael Kahn, in his editing bay in the Howard Hawks building at 20th Century Fox, about ‘Munich’, and his 30-year working relationship with Spielberg.

Droidmaker takes the reader inside the early years of Lucasfilm’s computer division. George Lucas foresaw a time when film would be replaced by a digital, high-resolution alternative that was neither …

The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business.

The Kinetophone was the ancestor of a steady line of emerging technologies-film, recording, reproduction and amplification-that through trial and error would converge to create the technology of optical, monaural sound.

There is a measure of power to the job of story analyst.

For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients.

During production for ‘The Polar Express’ Multiple creative processes, including editing, storyboarding, writing and designing, were occurring simultaneously.