The show, which made vivid use of contemporary Los Angeles locations and consistently tackled tough topics, premiered in 2016 and wrapped up last fall after five acclaimed seasons.
Peter Tonguette
Peter Tonguette
Peter Tonguette is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at [email protected].
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Cover StoryFeatures
How the Post-Production Team for ‘Hawkeye,’ the Latest Marvel Epic, Hit the Target
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively.
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“I hope people can see this and realize this is not a history story, in a way. This is not a story of something that happened 80 years ago that …
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How editing taught Lucian Johnston the secrets of ‘Macbeth’
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What the ‘Emily in Paris’ editors learned about cutting and comedy
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How Affonso Gonçalves brought his ‘alive and buoyant’ editing to ‘The Lost Daughter’
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Bogdanovich died on January 6 at the age of 82.
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How Pam Martin found the right shots in the tennis biopic ‘King Richard’
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Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th …
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Cover StoryWeb Exclusives
‘WandaVision’ Editors on the Secrets of Mixing Classic-TV Sitcoms with Marvel Universe
“We were trying to support Wanda’s emotional journey through the different eras.”