uncredited

“Everything about this series strived to be authentic.”

By Patrick Z. McGavin   As an undergraduate in the film department at Boston University, Sofi Marshall made a crucial early connection with the filmmaker Jane Schoenbrun.   “We had …

“I would love to do some immersive-type sound design or sound editorial for a Disney attraction. That’s been a lifelong dream of mine.”

“The more I worked with her, the more I realized it’s possible to make a difference in post-production. She really encouraged me to cut as much as possible and saw …

“I’m someone that likes to solve puzzles, or build Legos, that kind of king. The way I view editing is just having a lot of pieces together, with not necessarily …

Littleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president …

“Over the years, I noticed that many aspiring and novice filmmakers, as well as composers, music editors, and music supervisors recognize the need for music but struggle with figuring out …

By Patrick Z. McGavin   Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick  earned an Oscar-nomination for “13th” (2016), a documentary about the …

AUGUST 15, 1922 — JANUARY 2, 2024 A renaissance man. A gentleman. A portrait in dignity. This is how Academy Award-winning sound effects editor Peter Berkos — who passed away …

“‘A Black Lady Sketch Show’ will always hold a special place in my heart because it signified the change in my career path. I was moving from reality/docs to scripted …