The guy with the mohawk and endless knowledge of The Wire.
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2024Cut to BlackWeb Exclusives
Cut to Black: Dave Flynch, Supervising Sound Editor
by uncreditedby uncreditedHe has an affinity for independent projects and whose mantra has been “be adaptable.”
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2024Cut to BlackWeb Exclusives
Cut to Black: Tawan Bazemore, Colorist and Editor
by uncreditedby uncreditedHe is captured by the mix of color and it’s emotional impact and narrative depth of a visual story.
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2024Cut to BlackWeb Exclusives
Cut to Black: Aneesa Meador, Assistant Editor
by uncreditedby uncreditedHorror films have inspired her to look deeper for what can be possible in editing.
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2024Cut to BlackWeb Exclusives
Cut to Black: Did You Know? Theresa “Tressie” Souders, Director
by uncreditedby uncreditedThis film pioneer was the first female African American Film Director
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2024Cut to BlackWeb Exclusives
Cut to Black: Christopher Columbus Watkins III, Assistant Editor
by uncreditedby uncreditedFor each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American members, both past and present, and their accomplishments. We look …
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Behind the ScenesFeatures
The Post-Production Team on Remaking ‘The Color Purple’ as a Musical
by uncreditedby uncredited“I knew the film we were going to make would have to depart from the 1985 movie in terms of tone – and that we’d have to find our own …
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As an Editor and in life, Davone leads with love and respect for everyone.
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2024Cut to BlackWeb Exclusives
Cut to Black: Schuyler Williams, Assistant Editor
by uncreditedby uncreditedAlways do your best work.
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For Alex, education never ends, he works on projects that offer inspiration and excitement.