There was a small group of women who had exceptionally successful editing careers that started almost at the birth of cinema and continued for much of the 20th century.
This Quarter in Film History
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ColumnsTail PopThis Quarter in Film History
Words Like Bullets: How ‘Sweet Smell’ Met with Success
by uncreditedby uncreditedWhy ‘Sweet Smell’ Succeeded
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FeaturesTail PopThis Quarter in Film History
TAIL POP: The Enduring Influence of Jean-Luc Godard and ‘Band of Outsiders’
by uncreditedby uncreditedI grew up in a Long Island suburb among people about whom a friend once said, “If they can’t eat it or wear it, they don’t want it.”
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ColumnsThis Quarter in Film History
How Emilio Fernández’s Classic ‘Enamorada’ Boosted Mexican Cinema
“It was possible to create a Mexican cinema with our own actors and our own stories, without having to photograph gringos.”
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ColumnsThis Quarter in Film History
Popcorn, Dailies and Guinness: John Sayles on the Making of ‘Secret of Roan Inish’
Since making his first independent film, “The Return of the Secaucus Seven,” Sayles has established a unique relationship with the industry.
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By the time film pioneer Georges Méliès made this only slightly exaggerated claim, the making and exhibition of narrative film was establishing itself as a business separate from the variety …
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Prisons are not visually attractive. That may be why prison movies were not a significant genre during the silent era. But after the introduction of talking pictures and as sound …
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Kurt Vonnegut dedicated his 1976 novel ‘Slapstick’ “to the memory of Arthur Stanley Jefferson and Norvell Hardy” — better known as Stan Laurel and Oliver Hardy. In the novel’s prologue, …
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Over the decade leading to 1973, with the progress achieved by the civil rights movement, a greater awareness emerged in the African-American community of its own history and culture. Despite …
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From the age of six, Ada McGrath refuses to speak, yet film audiences first saw and heard how clearly she communicates on May 15, 1993, when Jane Campion’s ‘The Piano’ …