My Most Memorable Film

As a technical director specializing in entertainment events and game shows, Lucinda Margolis spends the better part of her days seated in front of television monitors. Earlier this year, however, …

Over the course of her long and accomplished career, assistant editor Christy Richmond has attended her share of screenings for studio executives. Sometimes, the higher-ups respond favorably; other times, their …

As a youth in Dublin, Ireland, Clare Knight (née De Chenu), ACE, had a decidedly artistic bent. The daughter of a stage actor-turned-architect and a schoolteacher, she dreamt of becoming …

Meyerson momentarily stopped thinking of scores like songs for one of his most personally significant projects: writer-director Terrence Malick’s World War II drama ‘The Thin Red Line,’ released by 20th …

To hear Robert “Bubba” Nichols describe it, working as a recordist sounds a little like serving as a fighter pilot. Okay, okay — pilots operate under life-and-death pressures in the …

In ‘The Last Waltz,’ released by United Artists 40 years ago in April 1978, director Martin Scorsese trained his cameras on what was intended to be the last concert of …

‘Meet the Parents’ began life as a low-budget 1992 film of the same title. Through the years, assorted A-list directors flirted with the project without proceeding.

You might call Jonathan Mostow’s action thriller ‘Breakdown’ a cautionary road movie. The 1997 Paramount Pictures release centers on a car trip that takes an unexpected detour.

Even if she was not a lifelong fan of the New York Yankees, music editor Stephanie Lowry would have been proud of having worked on the made-for-television movie ’61*.’

In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through …