My Most Memorable Film

In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in …

Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’

Colorist Mark Wilkins has a message for audiences: Think twice before believing everything you see on TV.

As the technical director of “Hairspray Live!,” Charles Ciup was at the helm of a switcher to alternate between the angles of the show’s 19 cameras, and in charge of …

In 1998, when re-recording mixers Rick Alexander and Richard D. Rogers first met with director John Frankenheimer about working on “Ronin,” there were many subjects that could have been discussed.

For four years in the mid-1990s, Julie Anne Lau counted among her collaborators a frog prone to singing and dancing, a conspiratorial-minded duck and a wascally wabbit.

We all want to be the hero of our own story. Such a wish is at the center of director Stephen Frears’ 1992 film ‘Hero.’

In the countless comedies he has written, directed and starred in during his 50-year career, Woody Allen comes across as a chatterbox. His on-screen persona is forever opining, grousing or …

by Peter Tonguette As personal projects go, Bob Fosse’s All That Jazz is hard to top. The 1979 musical drama centers on a protagonist named Joe Gideon (Roy Scheider), a …

Most directors strive to set a tone on their movie sets. Director Alan Rudolph, however, establishes the mood before the cameras roll.