Columns

Even if she was not a lifelong fan of the New York Yankees, music editor Stephanie Lowry would have been proud of having worked on the made-for-television movie ’61*.’

Jacob Bricca’s book on editing documentary film is a how-to that is firmly lodged in the digital technology of 2018. While new in many ways, it employs basic editing logic …

In ‘The King of Comedy’ (1983), directed by Martin Scorsese from Newsweek film critic Paul D. Zimmerman’s script, fledgling comic Rupert Pupkin wants to be a star. Obsessed with celebrity …

October 1978. A weekday afternoon in Manhattan. I stumble into daylight, having just experienced something which has so floored me that I’m numb, twisted around, and can’t remember which subway …

In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through …

“The Storytellers Dilemma: Overcoming the Challenges in the Media Age” is meant for everyone who works in the media industries, whether in content creation, post-production finance or distribution.

After 90 years, the premiere of Sergei Eisenstein’s October on November 7, 1927 at Leningrad’s Bolshoi Theatre still endures as the most famous screening of an unparalleled motion picture epic …

The blacklisting of Communists, former Communists, union supporters, socialists and people whose only agenda was to create films was a fact of life in the entertainment industry during the 1950s …

In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in …

There was a time, in the 1980s in San Diego, when there weren’t any theatres that showed foreign, independent or avant-garde films except for one place: the Unicorn Theatre.