McGowan has tricked out his home mixing bay with various mementos from his past, including the old audio equipment he used to learn his craft, his diploma from Boston’s fabled …
Columns
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At my high school, admission to advanced placement (AP) classes was by invitation only. I tried four times to be admitted into AP English. The head of the department, a …
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In 2003, after sound editor, sound designer and re-recording mixer Ron Bochar, CAS, completed work on Mike Nichols’ miniseries Angels in America, he felt good about what he and his …
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The back cover of Writing for the Cut: Shaping Your Script for Cinema asks the potential reader, “Will you make the cut?” The copy goes on to declare — in …
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“My first thought was, ‘Oh God, this is perfect material for Francis — he’s going to do a fantastic job with this,” remembers editor Anne Goursaud, ACE, regarding Bram Stoker’s …
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Pimp My Bay: Assistant Editor Scott Wesley Ross’ Editing Suite at Hula Post, Burbank, CA
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Book ReviewsColumns
Who Were the True Auteurs in Post-Production? Ask the Monitor Man
by Betsy McLaneby Betsy McLaneGeorge Larkin offers a startling premise in the book Post-Production and the Invisible Revolution of Filmmaking: From the Silent Era to Synchronized Sound, one that may delight some readers while …
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ColumnsMy Most Memorable Film
Beth Stiller on Los Angeles Lakers Road Telecasts
by uncreditedby uncreditedBeth Stiller is not a professional basketball player. She isn’t known for shooting from the three-point line or for scoring fast-break points. In fact, she prefers surfing to basketball. But, …
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I don’t remember exactly how I fell in love with storytelling. Perhaps it was because I was read to as a child — a lot. Editing is a different story. …
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I fell in love with Last Tango in Paris in the summer of 1973 when I was 20 years old. But now, decades later, I’m sorry to say I’ve fallen …