Editor whose proudest credits include “An Opry Salute to Ray Charles” and the 79th Annual Academy Award Nominee Packages
@2022 – All Right Reserved. Designed and Developed byu00a0PenciDesign
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityWeb Exclusives
Cut to Black: Libya El-Amin, Picture Editor
by uncreditedby uncreditedPicture Editor on the new series “Bust Down” on Peacock
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityWeb Exclusives
Cut to Black: Angela Latimer, Picture Editor
by uncreditedby uncreditedPicture Editor working on “Bel-Air,” the reimagining of the classic Will Smith sitcom, “Fresh Prince”
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityWeb Exclusives
Cut to Black: James T. Saunders, Guild Staff Member
by uncreditedby uncreditedEsteemed Guild staff member following a varied life and career that included roles as Re-Recording, Foley and ADR Mixer
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityWeb Exclusives
Cut to Black: Jouvens Exantus, Assistant Editor
by uncreditedby uncreditedAssistant Editor whose credits include “King Richard,” “Mindhunters” and “Love, Victor.”
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityWeb Exclusives
Cut to Black: Frederick D. Hawthorne, Supervising Editor/Supervising Producer
by uncreditedby uncreditedSupervising Editor and Producer whose proudest credits include “Malcolm X,” “48 Hours” and “Survivor”
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityWeb Exclusives
Cut to Black: Lynarion Hubbard Spellman, Picture Editor
by uncreditedby uncreditedEmmy Award Winning Editor currently working on the first season of “Rap Sh!t”
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityUncategorizedWeb Exclusives
Cut to Black: Chris Frazier, Foley/Sound FX Editor
Foley and Sound FX Editor who has whose credits include “The Mandalorian,” “Shang Chi & The Legend of the Ten Rings,” “The Suicide Squad,” and “Raya & the Last Dragon”
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityWeb Exclusives
Cut to Black: Wali Goins, Assistant Editor
by uncreditedby uncreditedVersatile Film/TV Assistant Editor whose credits include “A Black Lady Sketch Show.” His first film as Editor is currently on the festival circuit.
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2022Committee NewsCut to BlackMembership OutreachMPEG DiversityWeb Exclusives
Cut to Black: Antonia de Barros, Picture Editor
by uncreditedby uncreditedAn Editor who continues to “trust the process” and whose credits include “What We Do in the Shadows,” “Shining Vale” and “Rise of the Pink Ladies”
