The AASC welcomes our new MPEG members.
MPEG Diversity
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Committee NewsCut to BlackMPEG DiversityWeb Exclusives
Cut to Black: Kenneth L. Johnson, Supervising Sound Editor/Re-Recording Mixer
Winner of three Emmys and owner of Artistry in Sound studio
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Committee NewsCut to BlackMPEG DiversityWeb Exclusives
Cut to Black: Earl Watson, Jr, Picture Editor
Legendary career including classics like “Boomerang,” “House Party,” and “Everybody Hates Chris”
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Committee NewsCut to BlackMPEG DiversityWeb Exclusives
Cut to Black: Bobbi Banks, Supervising Sound/Dialogue/ADR Supervisor
Credits range from “Fast and Furious” to “When They See Us,” and she won a 2015 Golden Reel Award
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Committee NewsCut to BlackMPEG DiversityWeb Exclusives
Cut to Black: James D. Wilcox, Picture Editor
Won the 2018 ACE Eddie for Best Edited Miniseries or Motion Picture for Television for “Genius” Einstein: Chapter One
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Committee NewsCut to BlackMPEG DiversityWeb Exclusives
Cut to Black: Sam Pollard, Former Picture Editor
An acclaimed editor and doc producer/director, and worked with Spike Lee on many iconic films, such as “Mo’ Better Blues” and “4 Little Girls”
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Committee NewsCut to BlackMPEG DiversityWeb Exclusives
Cut to Black: Wellington Harrison, Picture Editor
Assisted on several TV shows including “Transformers: Robots in Disguise,“ and recently began editing his first show
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Committee NewsCut to BlackMPEG DiversityWeb Exclusives
Cut to Black: Kevin Lee, Picture and Sound Editor
Credits include “Scarface,” “Malcolm X,” and the “Sex and the City” television series
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Mike assisted on “Grown-ish” and “Ready or Not,” and just cut his first feature, “5 South”
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John Carter edited over 30 films and TV shows, and was the first African American to be inducted into American Cinema Editors.