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“I knew the film we were going to make would have to depart from the 1985 movie in terms of tone – and that we’d have to find our own …

Working with film took Lame back to the dawn of her career. Lame noted that most editors her age and younger have worked only in the digital world, so the …

“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.”

“Marty never wants to repeat himself,” said Schoonmaker, the three-time Oscar-winning editor best known for her work with director Martin Scorsese on film classics such as “Raging Bull” and “Goodfellas.” …

“I can’t pick sides. That’s the great thing about being an editor.”

“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’”