What a Lost Union Drive Means for the Future of Labor Organizing
Features
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FeaturesTechnologyTechnology
Technology: How the Latest AI Helps Colorists Do Their Jobs Better
by uncreditedby uncreditedAI technology (probably) isn’t the humanity-destroying rise of the machines that some fear—at least not in the world of post-production. It’s showing up all over the film industry, from helping …
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FeaturesTail PopThis Quarter in Film History
TAIL POP: The Enduring Influence of Jean-Luc Godard and ‘Band of Outsiders’
by uncreditedby uncreditedI grew up in a Long Island suburb among people about whom a friend once said, “If they can’t eat it or wear it, they don’t want it.”
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Book ReviewsFeatures
BOOK REVIEW: ‘Shooting Midnight Cowboy’ Examines a Classic of Late-1960s Cinema
by Betsy McLaneby Betsy McLaneA New Book Looks at the Tortured Creators – and Editing-Room Nightmare – Behind ‘Midnight Cowboy’
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Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t.
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FeaturesFrom The National Executive DirectorIn Memoriam
Cathy Repola: Remembering Diane Adler, MPEG Secretary and a True Unionist
by Cathy Repolaby Cathy RepolaIt is said that a union is all about the collective strength of its members, and about how coming together as a large group can bring about change.
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“The company believes that building diverse crews makes both good sense and is creatively beneficial.”
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Cover StoryFeaturesMPEG Diversity
Changing Minds: Stevie Waichulis Talks Being a Trans Person in Post
by uncreditedby uncreditedIt always upset me that people felt that I needed to change in their eyes, that I was never good enough in my own skin or attire. My true identity …
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WME HELPS POST-PRODUCTION CLIENTS ADAPT TO A WORLD WRACKED BY PANDEMIC AND ECONOMIC SHIFTS.
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The Pandemic has Forced Parents in Post Careers to be More Resourceful than Ever