Features

The survey found that despite the publicity surrounding industrywide diversity efforts, gender and ethnic representation within the Guild itself has remained basically unchanged compared to four years ago.

by A.J. Catoline “I have to pinch myself at times,” said picture editor James D. Wilcox, ACE. Wilcox has good reason to celebrate his good fortune these days. After starting …

Picture editor Richard Pearson, A CE, did not set out to become a comedy specialist, an action guru, or a comic book connoisseur—but somehow, he has evolved into all three.

“The main secrets are in the writing and the extremely talented cast.”

Here are some excerpts from our conversation with editors Nena Erb, ACE, and Daysha Broadway, assistant editors Lynarion Hubbard and Aric Lewis, and sound effects editor Michael Sana, MPSE.

It’s one of the best-reviewed series of the year since its January premiere, with a 94% “fresh” rating on the review aggregation site Rotten Tomatoes.

The heroine of Amazon’s stylish comedy “The Marvelous Mrs. Maisel” has a talented support team in post-production.

You don’t have to be a rabid consumer of 1980s-era popular culture to work on the Netflix science-fiction series “Stranger Things.” But it doesn’t hurt.

We have been spending a lot of time at home.

How a post-production team of 30 stayed healthy and got “Westworld” on the air from home.