Music Editor Sally Boldt recalls the making of ‘Groundhog Day,’ again and again and…
Features
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Features
Nat Sanders on Editing ‘Just Mercy’: Lost Sleep and a Delayed Honeymoon to Tell an ‘Emotional and Raw’ Tale
“I lost the most sleep and had the most revelations in the shower while working on this film.”
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“I really rely on my editors to have a story brain and to be co-writers with me.”
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Cover StoryFeatures
Picture Editor Shannon Baker Davis on Work, Family, and Editing Universal’s ‘The Photograph’
by uncreditedby uncreditedShannon Baker Davis, ACE, has come a long way from Georgia. The picture editor moved to Hollywood after college and honed her skills in television (“Grown-ish” and “Queen Sugar”). Her …
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Features
Outwit, Outplay, Out-cut: How the Editing Team Has Kept the ‘Survivor’ Tribe Together Through 40 Seasons
by uncreditedby uncreditedThe challenge for editors is how to present the material in the most appealing way.
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Features
How Story Analysts from Hollywood’s Golden Age Helped Build Movies, and a Lasting Labor Movement
by uncreditedby uncreditedStory analysts organized and fought battles from which today’s union story analysts, as well as members of all Hollywood IA locals, still reap benefits.
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Features
How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’
by Mel Lambertby Mel Lambert“The cars became characters in their own right – big and bold and real.”
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Features
How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts
“It all depended on how Kate Corbaley narrated the story.”
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Features
Pregnant in Post? The Quandary Over Benefits Can Lead to Some Unexpected, and Costly, Hurdles
by uncreditedby uncredited“Having children makes you gutsy,. You don’t put up with a lot of BS because you have a family to consider.”
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Features
Carole Kravetz Aykanian Talks About Editing Steve Carell and Jennifer Aniston in ‘The Morning Show’
by uncreditedby uncredited“The pilot was the foundation. We had to find the tone.”