Features

With a promise of offering a novel direction for HBO’s multiple-Emmy Award-winning sci-fi drama ‘Westworld,’ its second season is also breaking new ground in the sound department.

Music editor Mitsuko Alexandra Yabe exemplifies the possibilities offered by the world of post-production if one is willing to throw oneself in and find one’s way. Yabe was born in …

The editing career of Monty DeGraff has been in sync with some of television’s cultural icons. Mentoring younger editors has also become an important focus for him.

Moviolas and splicers, rewinders and synchronizers, photographs and books, the memories of post-production personnel… The history of the craft of editing is in the Guild Archive.

Robert “Bobby” Fernandez was never in any doubt about what he wanted to be while growing up. “My mother used to take me every week to see a movie in …

Originally intending to be an actor, Keith Fraase fell in love with behind-the-camera work while at the University of Texas at Austin. Then he thought he wanted to be a …

The production and post-production of Ridley Scott’s ‘All the Money in the World’ is one of the most fascinating filmmaking stories of the past year, perhaps the decade.

Over the past two decades, editor Alisa Lepselter, ACE, has worked on a range of films. Her credits include a caper set in the cookie business, a farce focused on …

In a CNN.com article about picture editor Kevin Tent, ACE, on the occasion of his Academy Award nomination for cutting director Alexander Payne’s “The Descendants” (2011), actress Laura Dern was …

Picture editor Affonso Gonçalves, ACE, and sound editor/sound designer/re-recording mixer Leslie Shatz solved a cinematic conundrum for director Todd Haynes’ “Wonderstruck.”