by Betsy A. McLane • portrait by Wm. Stetz Making a mark on the art of picture editing early in her career, Lillian E. Benson, ACE, continues to create notable …
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Features
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In celebration of the Editors Guild’s 80th anniversary on May 20, 2017, we reprint this story on the founding of the Society of Motion Picture Film Editors, the forerunner of …
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As the new comedy The Last Word premiered at the Sundance Film Festival January 24, editor Julia Wong, ACE, was recalling to CineMontage what a great experience she had cutting …
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Listening to singer-songwriter Halsey’s new single, “Not Afraid Anymore,” as it pulsates through a fresh Dolby Atmos mix on a stage at Universal Studios in the company of music editors …
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ADR/Foley mixer Jesse Dodd, CAS, MPSE, never doubted that her career would be in show biz.
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“When did ADR start?” It was a simple question, and our director was fond of asking simple questions.
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Over the past decade, production sound mixer Chris Newman, CAS — who has been something of a mentor to me during my whole career — has been retired from working …
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Features
Capturing the Musical Magic for Film and Online Series
Jason Ruder and David Klotzby Mel Lambertby Mel LambertWhile music editorial normally is one of the last chores to be completed prior to the mix — preferably against a locked picture — the creative choices start early in …
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In the midst of a career in television, picture editors may think about how many years they’ve been on a show, but they may not stop to consider how many …
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Features
Hitting the Century Mark
Some Thoughts from The 100 Club’s Newest Memberby uncreditedby uncreditedWhen I passed the mark of 100 episodes edited on a single, one-hour show, NCIS, last September, my curiosity got the best of me. I wondered how many others had …
