Features

Sound editor Lon Bender, MPSE, knew that he needed to leverage his many years of experience to develop a time-conscious workflow for director Kaige Chen’s IMAX 3DChinese martial arts offering …

Just as the show itself tells the story of an organized team of spies, agents and heroes on a mission to protect the world, the editorial mission requires a similarly …

The independent movie is infused with the iconic sounds of the 1960s group and shows the in-studio process.

This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, …

The Academy Award nominees for Film Editing this year exemplify the importance of the collaborative role of the editor in shaping a director’s vision.

This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for …

Film editing may be known as “the invisible art,” but picture editors Zene Baker and Evan Henke never expected that all their work cutting The Interview was in danger of …

In his new film Fury, writer-director David Ayer takes a break from depicting violent crime to re-create a different kind of violence — that of warfare, as experienced by a …

These days, it takes a team of talented post-production professionals to prepare soundtracks for motion pictures and network/cable TV programs.

Tom Rolf was a real professional, a man who knew his craft inside and out. He was all business in the cutting room. I remember that he would come in …