In 1960, after college, the army, UCLA film school, paying my dues as a can-carrying apprentice and assisting (mostly on commercials, but also some documentaries and industrials), I received a …
Features
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Few people are privy to the secrets of filmmaker Christopher Nolan’s new science-fiction adventure Interstellar — and those who are aren’t talking. One person who knows Interstellar more intimately than …
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It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s …
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Editors Guild members sometimes need to exercise their storytelling talents and share their insights on their craft in the print medium in addition to the audio- visual. This year to …
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Features
Whatever it Takes, Just Make it Work: Neil Benezra and Anthony Redman
by Rob Feldby Rob FeldCineMontage interviewed the pair in late May about the new film and working with Abel Ferrara.
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Many of the editors I met asked me why I didn’t want to become a director like my dad. To me, editing was far more interesting than directing — and …
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Features
The Fisher Kings: Story Analysts Are on an Expedition for the Big Catch
by uncreditedby uncreditedAnalysts — always the first to see material submitted to a studio or network — spend their working lives trolling for their company’s next big hit.
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his summer, the debut of his latest film emphasizes the music-appreciation side of Eastwood as never before.
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For over two decades, the American Cinema Editors (ACE) has sponsored the ACE Internship Program to help bring motivated individuals into the editing profession.
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In the MAY-JUN 14 issue of CineMontage, writer Mel Lambert surveyed sound designers, sound editors and supervising sound editors about the Digital Audio Workstation add-ons that they use to get …