Features

“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.”

“Marty never wants to repeat himself,” said Schoonmaker, the three-time Oscar-winning editor best known for her work with director Martin Scorsese on film classics such as “Raging Bull” and “Goodfellas.” …

“I can’t pick sides. That’s the great thing about being an editor.”

“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’”

The late filmmaker William Friedkin was fond of describing his 1973 horror masterpiece “The Exorcist” as being a meditation on “the mystery of faith.”

For director Robert Zemeckis, Schmidt was the editor of, among other classic films, the “Back to the Future” trilogy (1985, 1989, 1990), “Forrest Gump” (1994), and “Contact” (1997). He won …

By Kristin Marguerite Doidge   Emmy Award-winning picture editor Stephanie Filo, ACE, has found herself at the center of several key moments in history over the past decade, from building …

There is momentum now for us to achieve some tangible changes for our members and we must come in willing to fight and hold our ground.

“It’s a team effort, and together we bring stories to life, creating a memorable auditory experience for the audience.”

By Matt McFarland   When I was g rowing up in Omaha, Nebraska, during the ’70s and ’80s, movies were a refuge from the Midwestern winters and my favorite source …