Filmmaking is evolving into a parallel editing process.
Features
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DepartmentsFeaturesGetting Organized
GETTING ORGANIZED: A Surprise Amazon Victory Delivers New Era for Labor
by Rob Callahanby Rob Callahan“Hope is a discipline,” I heard a legendary voice declare not long ago. Yes, hope is a discipline. But might it also be a contagion?
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“Yellowstone” is a show about land: who it once belonged to, who it belongs to now, who it might one day belong to.
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Features
Totally Nuts: The Editors of ‘Jackass Forever’ Explain Its Ouch! Appeal
by Rob Feldby Rob FeldIt’s Not All About the Kick to the Crotch.
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The show, which made vivid use of contemporary Los Angeles locations and consistently tackled tough topics, premiered in 2016 and wrapped up last fall after five acclaimed seasons.
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Cover StoryFeatures
How the Post-Production Team for ‘Hawkeye,’ the Latest Marvel Epic, Hit the Target
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively.
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DepartmentsFeaturesFrom The National Executive Director
Cathy Repola: Understanding the MPI Plans is Key to Our Future
by Cathy Repolaby Cathy RepolaA brief overview of the 2021 year-end financial highlights of the MPI Plans
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Features
The Editing Team Behind Ben Stiller’s ‘Severance’ Explains How the Series Spans Genres
by Rob Feldby Rob Feld“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three.
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“I hope people can see this and realize this is not a history story, in a way. This is not a story of something that happened 80 years ago that …
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Book ReviewsColumnsFeatures
BOOK REVIEW: ‘The Art and Craft of Motion Picture Editing’
by Betsy McLaneby Betsy McLaneA new book looks at the craft of picture editing from a fresh perspective