“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE.
Web Exclusives
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By Guild Staff The Editors Guild has received a $200,000 anonymous donation to its Hardship Fund, a boost that is expected to significantly enhance its capacity to support members in …
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Web Exclusives
That’s Just Science: Michael Ruscio Talks Editing Netflix’s ‘3 Body Problem’
by uncreditedby uncreditedBy Kristin Marguerite Doidge The human element of the hit Netflix sci-fi thriller, “3 Body Problem,” is what helped audiences connect to its gripping and often highly technical material. …
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Amelia Allwarden: How Drive and an ACE Internship Led Her to a ‘Sunny’ Editing Career
by Rob Feldby Rob FeldBy Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I was a kid, I loved movies and books,” she says. …
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GuildGuildNewsWeb Exclusives
Cathy Repola Announces Retirement as MPEG National Executive Director in January 2025
by uncreditedby uncreditedRepola has worked 32 years for the Editors Guild and has served in her current role since 2016.
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Susana Benaim Talks Editing Hulu’s Sports Drama ‘Clipped’
by uncreditedby uncreditedBy Patrick Z. McGavin Susana Benaim has built an impressively varied career. Upon arriving in Hollywood, the Venezuelan-born picture editor parlayed an ACE internship into a professional launching pad. …
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Kira Belin, Music Editor
by uncreditedby uncredited“In my opinion, it’s a three-dimensional career.”
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Web Exclusives
How the Post Team of Netflix’s Reality Competition Series ‘The Circle’ Pushed Boundaries of Time and Space
The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet …
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Emily Yang, Y-9 Recordist & Mix Tech
by uncreditedby uncredited“I have always been drawn to storytelling through various mediums, whether it’s through sound or visual media. It was during my time at Berklee College of Music that I delved …
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“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.”