For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American members, both past and present, and their accomplishments. We look forward to showing the contributions and influences African Americans have had on the industry.
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For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American members, both past and present, and their accomplishments. We look forward to showing the contributions and influences African Americans have had on the industry.
What’s your job/classification? Assistant Editor
List the credits you’re most proud of. “Grand Army,” “Deception,” DC’s “Legends of Tomorrow,” “G.I. Joe : Renegades”
What are you working on right now? “Law & Order: Special Victims Unit”
Who and what are your influences and/or mentors? Influences are Luis Buñuel, Salvador Dali, Jean-Luc Godard, and Takashi Miike
What books are you reading, shows are you watching and/or movies you’re excited about? Lately I have not had time to read or watch anything.
What would be your superhero name? Darrel
What are your black history month memories? What cultural or historical events have impacted your life? Cultural events that have impacted my life the impact of hip hop from the mid 1980s to the present.
What’s the best piece of advice you’ve been given? Steady pace will finish the race.
If you could time travel, when would you go and why? If I could time travel, I would like to go to the year 1995, some of the best times was had that year.
What’s a little known fact about you? What are your hidden (or not so hidden) talents? I have no talent, just a certain set of skills.
What’s your favorite (Black) television/movie moment? In the film “Putney Swope,” Antonio Fargas character walks in executive meeting asking if they heard “the drum.”
Was there a television show/movie that inspired you to pursue your career? “National Lampoon’s Family Vacation”
What’s your personal/professional mantra? Soldier on…
What’s the last show/movie that left you speechless? “Poorly Drawn Lines,” mostly because I was laughing most of the time.
What would be your dream project to work on? To work on a Hayao Miyazaki film.
For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American members, both past and present, and their accomplishments. We look forward to showing the contributions and influences African Americans have had on the industry.
Name: Marvin Morris
What’s your job? Music Editor
List the credits you’re most proud of? “When the Levees Broke,” “Marshall,” “Bad 25,” “BlacKKKlansman”
What are you working on right now? “Genius: Aretha Franklin”
Who and what are your influences and/or mentors? My influences are my grandparents, my mother, Jimi Hendrix (I once thought I was him). My mentors, Katherine Quittner, Steve Williams, Bob Badami. How lucky can one person get!!!
What books are you reading, shows are you watching and/or movies you’re excited about? “James Brown – A biography by Geoff Brown,” “Lonely Eagles: The Story of America’s Black Air Force in World War II”
What would be your superhero name? Marvelous Marv
What are your black history month memories and any cultural or historical impacts on your life? I come from a very political family and I was around when Malcolm X and Martin Luther King Jr. were killed.
What’s the best piece of advice you’ve been given? It’s just a movie. No one cares how it got done, they just want to know, DID IT GET DONE. If you love it, have fun doing it.
If you could time travel, when would you go and why? Into the future, to see if they can capture a person’s knowledge (death is the great waster of talent).
What’s a little-known fact about you? What are your hidden (or not so hidden) talents? I collect and build car models.
What’s your favorite (Black) television/movie moment? Mr. Tibbs slaps Endicott
Was there a television show/movie that inspired you to pursue your career? “American Gigolo,” “Cat People” (Giorgio Moroder), “In the Heat of the Night,” “Ironside” (Quincy Jones)
What’s your personal/professional mantra? Sweat not, and show great work!
What’s the last show/movie that left you speechless? “Se7en”
What would be your dream project to work on? Any kind of James Brown story.
For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American members, both past and present, and their accomplishments. We look forward to showing the contributions and influences African Americans have had on the industry.
Name: Sushila Love
What’s your job? TV and Picture Editor
List the credits you’re most proud of. “The Sixties: A Long March to Freedom” for CNN; “On My Block,” Seasons 2 & 3, for Netflix; “Ms. Marvel” for Disney+
What are you working on right now? I’m currently working on “Dynasty,” Season 5.
Who and what are your influences and/or mentors? I’ve always been very much influenced by visual art, since that’s the world I worked in for many years. The photography of Carrie Mae Weems has always inspired me. Another artist who tells amazing stories through silhouetted cutouts is Kara Walker.
What books are you reading, shows are you watching and/or movies you’re excited about? I recently finished the book “The Parable of the Sower,” which feels unnervingly close to our current state of being at times. The book’s themes on spirituality are also very interesting and are discussed in a way I have not previously seen.
What’s a little known fact about you? What are your hidden (or not so hidden) talents? I have a background in visual art and a green thumb in the garden. I also play several musical instruments.
What’s your favorite (Black) television/movie moment? As a kid, my brother and I must have watched “I’m Gonna Git You Sucka” about a thousand times. I always screamed with laughter when the character Cherry throws her fake T&A at Jack Spade then hops after him.
Was there a television show/movie that inspired you to pursue your Career? When I saw the film “Requiem for a Dream,” I think it was the first time I really noticed the editing of a piece and how important it was to the telling of a story. I didn’t realize until years later, however, that I would go from making fine art to editing film and television.
What’s your personal/professional mantra? I often tell myself “If you’re not having fun, you’re fired.”
What’s the last show/movie that left you speechless? “Parasite”
What would be your dream project to work on? A dark comedy/psychological thriller feature with a cast of predominantly BIPOC.
For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American members, both past and present, and their accomplishments. We look forward to showing the contributions and influences African Americans have had on the industry.
Name: Roderick Hicks
What’s your job? Assistant Editor, FOX “9-1-1”
List the credits you’re most proud of. “9-1-1,” because it’s my first union show and my first scripted series.
Who and what are your influences and/or mentors? My parents, I inherited my work ethic from both of them.
What books are you reading, shows are you watching and/or movies you’re excited about? I’m excited about the new season of “Ozark,” my fiance and I just started watching it.
What would be your superhero name? Obsidian Flash
If you could time travel, when would you go and why? 1915, I’d like to meet my grandfather as a young man.
What’s a little known fact about you? What are your hidden (or not so hidden) talents? I’m an associate Journalism professor and a certified scuba diver.
What’s your favorite (Black) television/movie moment? Any scene from “The Wire” that involves Clay Davis.
What’s your personal/professional mantra? Know better, do better.
What’s the last show/movie that left you speechless? “The Watchmen” television series
What would be your dream project to work on? The next season of “The Watchmen” …if they ever make another one.
For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American members, both past and present, and their accomplishments. We look forward to showing the contributions and influences African Americans have had on the industry.
Name: Alanah Jones
What’s your job/classification? Picture Editor
List the credits you’re most proud of. “Outlander” – My first editing credit was the season finale! “Law and Order: SVU” – My first AE position.
What are you working on right now? Right now I am using my hiatus to prepare for my wedding and my move back to Los Angeles! (Just finished up working remotely from NYC.)
Who and what are your influences and/or mentors? Lillian Benson, ACE; Oscar Lozoya; Micky Blythe, ACE; Elicia Bessette
What books are you reading, shows are you watching and/or movies you’re excited about? Currently reading “The Book of Joy”… I highly recommend! Currently watching “The Wire,” and a ton of screeners of course.
What cultural or historical events have impacted your life? My Grandmother was an educator and so is my Father. Looking back, I thank them for teaching me the things that our Virginia public schools did not. Stories of Black women prevailing over the circumstances resonate with me the most… Katherine Johnson and her team’s tenure at NASA is legendary!
What’s the best piece of advice you’ve been given? Never take a note personally, but do take it seriously. To be early is to be on time… To be on time is to be late.
If you could time travel, when would you go and why? I would go to 1986 and see my parents’ wedding! Married for 35 years! #blacklove
What’s a little known fact about you? What are your hidden (or not so hidden) talents I play the Euphonium. I started band at 9 years old. Music was always a fun and creative release for me. When I was 17, I placed 1st Chair All County, 1st Chair All District, and 2nd Chair at the Virginia State level. I played through college and marched in the London New Years Day Parade in 2012.
What’s your favorite (Black) television/movie moment? Most recently, the release of Black Panther” and the waves it made through the Black community. I felt a lot of Black kids and teens benefited from seeing a Black superhero.
What’s your personal/professional mantra? Work smarter, not harder.
What’s the last show/movie that left you speechless? “The Power of the Dog.” Far from a Black film, but it certainly had my neck tilted, eyebrows scrunched.
What would be your dream project to work on? Not to be *too* specific, but I would love to work on a project that follows a group of Black women from a different time period. Maybe some recent college grads in the 80’s or 90’s? Who’s got an overall deal?!?!
Cut to Black: Fred Brown,aka Freddie, Assistant Editor
LEWIS ERSKINE 1957-2021
Lewis Erskine was an esteemed editor in the documentary field with over 30 film credits, but he did not set out to edit. His first job was mixing sound for clubs, concerts and vinyl records. Eventually he began to edit news for local TV stations and ultimately landed at WNET where he edited the MacNeil-Lehrer News Hour. Eager to explore long-form documentaries he landed a gig at a company that produced progressive documentaries and later moved on to work with legendary African American producer, St. Clair Bourne.
That’s when he began telling stories about the heart and soul and the struggles of Black people.
Over the course of his career, Erskine collaborated with many directors – Shola Lynch, Ken Burns, Michael Moore, Walter Cronkite, Bill Moyers and, perhaps most importantly Stanley Nelson with whom he edited nine films. His credits include “The Black Press: Soldiers Without Swords,” “Jazz,” “The Murder of Emmett Till,” “Free Angela Davis and All Political Prisoners,” “Cesar’s Last Fast” and “Miles Davis-The Birth of Cool.” Erskine won an Emmy (2011) and an ACE Eddie (2012) for his work on Nelson’s “Freedom Riders” for PBS’s The American Experience. He was also an advisor at Sundance Institute Documentary Edit Lab five times in 11 years and most recently, was an Assistant Arts Professor at NYU Tisch School of the Arts. Erskine was a member of American Cinema Editors and a member of the Documentary Branch of the Academy of Motion Picture Arts and Sciences.
“When I have sat in a dark screening room with five or 500 people and they catch their breath where I want them to catch their breath, when they laugh when I want them to laugh, when they cry because they understand the pain of someone far away and yet right there, a smile of deep gratitude comes to my face.”
Lewis Erskine
Cut to Black: Vincent K. “Vinnie” DeRamus, Assistant Editor
“How to Be Black” – Baratunde Thurston
“Black Panther a Nation Under Our Feet, Book One” (graphic novel) – Ta-Nehisi Coates
“Altered Carbon” – Richard K. Morgan
“The Grand Design” – Stephen Hawkins
“Death by Black Hole” – Neil deGrasse Tyson
“Star Trek: Discovery”
“The Book of Boba Fett”
“What We Do In The Shadows”
“Abbott Elementary”
“We Are Lady Parts”
“Southside”
“Rick and Morty”
“Don’t Look Up”
“C’mon, C’mon”
To shout-out a few mentors I’ll start with Vince the transfer expeditor at Magno who taught me how to communicate effectively with sound facilities.