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By Patrick Z. McGavin   As an undergraduate in the film department at Boston University, Sofi Marshall made a crucial early connection with the filmmaker Jane Schoenbrun.   “We had …

“The more I worked with her, the more I realized it’s possible to make a difference in post-production. She really encouraged me to cut as much as possible and saw …

“Not every project will have a smoking gun, but you won’t find it if you’re not allowed to look.”

“I’m someone that likes to solve puzzles, or build Legos, that kind of king. The way I view editing is just having a lot of pieces together, with not necessarily …

Littleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president …

By Patrick Z. McGavin   Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick  earned an Oscar-nomination for “13th” (2016), a documentary about the …

“‘A Black Lady Sketch Show’ will always hold a special place in my heart because it signified the change in my career path. I was moving from reality/docs to scripted …

“Sue was so smart, and she embraced the beauty of life even in the face of her diagnosis, and I just adored her for that.”

“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.”

Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for the past few years, the majority of my work has …