“It’s a team effort, and together we bring stories to life, creating a memorable auditory experience for the audience.”
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What Our Members Do
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Ian Lamb, Online Editor
by uncreditedby uncredited“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving …
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“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.”
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Sheri Eisenberg, Colorist
by uncreditedby uncredited“Being part of a union matters. We, as a creative force, matter.”
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FeaturesWhat Our Members Do
WHAT OUR MEMBERS DO: Priscilla Zambrano, Assistant Editor
by uncreditedby uncreditedEverything in this industry is about collaboration, and part of my job is to make sure that my editor’s day goes as smoothly as possible.
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Shiran Carolyn Amir, ACE, Picture Editor
by uncreditedby uncredited“I’m a film and TV editor with experience in drama, horror, action and comedy.”
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Alyssa Donovan, Assistant Editor
by uncreditedby uncredited“Try to be up to date on both Avid and Premiere. I am seeing more and more job postings for Premiere.”
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Christina (Chuyue) Wen, Dialogue Editor, Mix Technician
by uncreditedby uncredited“I have always been fascinated with sound in films.”
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Alex Ivany, Picture Editor
by uncreditedby uncredited“Ask questions as much as possible.”
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Andy Young, Animation Editor
by uncreditedby uncreditedWhere are you currently employed? Warner Bros Animation. Current projects? “Merry Little Batman.” Describe your job. My job’s not too different than when I was cutting live-action …
