As a member of both the Editors Guild and the American Cinema Editors, I look back on my 50-plus years in the greatest industry on the planet, feeling blessed that …
Apprentice Editors
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In 1960, after college, the army, UCLA film school, paying my dues as a can-carrying apprentice and assisting (mostly on commercials, but also some documentaries and industrials), I received a …
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Few people are privy to the secrets of filmmaker Christopher Nolan’s new science-fiction adventure Interstellar — and those who are aren’t talking. One person who knows Interstellar more intimately than …
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Features
Whatever it Takes, Just Make it Work: Neil Benezra and Anthony Redman
by Rob Feldby Rob FeldCineMontage interviewed the pair in late May about the new film and working with Abel Ferrara.
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Many of the editors I met asked me why I didn’t want to become a director like my dad. To me, editing was far more interesting than directing — and …
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His most memorable film? Don’t ask that of Paul Hirsch, ACE. The Academy Award-winning editor does not believe in the concept, and a quick perusal of the more than 40 …
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For over two decades, the American Cinema Editors (ACE) has sponsored the ACE Internship Program to help bring motivated individuals into the editing profession.
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I was on the path of the confused college looking primarily for an interesting career and secondarily for a way to earn a living. My two goals never seemed to …
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Robert C. Jones grew up in the film industry; his father, Harmon Jones, was a feature film editor (Gentleman’s Agreement, Panic in the Streets, among others) and later TV director …
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Richard Halsey, A.C.E., lives by three rules: Be organized, listen to your intuition and always tell the truth. These are rules that the editor applies to his work, as well …