Apprentice Editors

A compilation of praise for award winning editor, Dede Allen

The Motion Picture Editors Guild has selected veteran film editor Dede Allen, ACE, to be the 2008 recipient of the Guild’s prestigious Fellowship and Service Award.

Richard Hymns is busy working on the film with assistant supervising sound editor Andre Fenley and sound designer Frank Eulner at Skywalker Sound in Marin County, California

by Robin Rowe One of the biggest challenges for assistant editor David Bilow––Joe Hutshing’s right-hand man––in the post-production work on Lions for Lambs was the film’s structure. “There were three different, seemingly …

Hutshing’s career has certainly come a long way from the time he arrived in Los Angeles after college in 1981 and hustled for work by advertising himself as an “editor …

CineMontage learned of the editor’s appreciation for collaboration—be it with her mentors, directors or assistants.

Ken Burns has always acknowledged the large part Paul Barnes, his chief picture editor, has played in the smooth operation and artistic prominence of Florentine Films.

I’ve met and worked with people who are fascinating and talented. Movies are in my blood, and it has been a fulfilling, exciting and gratifying experience.

People ask me how I got started in music editing. To be honest, it was a total fluke.

“Let the editor do his job and cut it first before you come in.” Michael BerenBaum’s advice for directors