Screenwriters aren’t the only ones benefitting from the richness of material now playing on cable television, or streaming from Netflix. The complexity of subject matter and shooting styles, previously the …
Assistant Editors
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Union Made
UNION MADE: History + Photography = Documentary Editing Career
by uncreditedby uncreditedI was fortunate to fall into picture editing.
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Allow me to introduce you to the post-production alchemy that produces the show that, according to Newsweek senior writer Andrew Romano, is “right now…the best program on TV, period.”
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CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’.
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Features
The Essence of Editing: Should We Be Shouldering the Weight of Post-Production?
by uncreditedby uncreditedIn 1970, as an apprentice in the cutting room of Richard Marden, editor of Sunday Bloody Sunday, we were a happy bunch; Dick, two assistants and myself. Now, as a …
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Features
Post ‘Hangover’: Debra Neil-Fisher and Jeff Groth’s Editorial Hair of the Dog
by Rob Feldby Rob FeldCineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’
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After my first editing exercise, I was hooked. Editing was how dreams were made!
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It was the news that the American Cinema Editors (ACE) had selected him for a Career Achievement Award that prompted Richard Marks to revisit his life’s work.
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Ray Zone has left for us the most comprehensive and up-to-date history of how stereoscopic film attracts us.
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Union Made
Did You Hear the One About the Farmer’s Daughter Who Wound Up in the Editing Room?
by uncreditedby uncreditedI remember sitting in the theatre watching Ingmar Bergman’s Wild Strawberries and being blown away by the visual metaphors in this movie. His opening dream sequence — the clock with …