Behind the Scenes

“It is a performance-driven film so there’s nothing to hide behind.”

“One of the things we had to adapt very early on is the communication in the form of notes from Michael.”

“The Holdovers,” set over Christmas vacation in 1970 at a New England boarding school for boys, is the bittersweet portrait of complicated relationships among a grumpy teacher with a troubled …

“I knew the film we were going to make would have to depart from the 1985 movie in terms of tone – and that we’d have to find our own …

Working with film took Lame back to the dawn of her career. Lame noted that most editors her age and younger have worked only in the digital world, so the …

“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.”

“Marty never wants to repeat himself,” said Schoonmaker, the three-time Oscar-winning editor best known for her work with director Martin Scorsese on film classics such as “Raging Bull” and “Goodfellas.” …

“I can’t pick sides. That’s the great thing about being an editor.”

“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’”