More than 180 people attended in person at the WGAW headquarters in Los Angeles and online via Zoom.
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Cutting Through the Noise: How Toj Mora and Other Deaf Editors Are Giving Hollywood a New Lens
by uncreditedby uncredited“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.”
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2024Cut to BlackWeb Exclusives
Cut to Black: Emanuel “Manny” Shaw, Assistant Editor
by uncreditedby uncreditedHe strives to be magnificent!
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Cut to Black: Daedra Carline, Assistant Editor
by uncreditedby uncreditedFrom Oregon to Hollywood, fueled by a love of Black history and Sci-fi.
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2024Cut to BlackWeb Exclusives
Cut to Black: Jayda Cardoza, Assistant Editor
by uncreditedby uncredited“Black Panther: Wakanda Forever,” and her Full Circle moment
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2024Cut to BlackWeb Exclusives
Cut to Black: Marvin Hudgens, Assistant Editor
by uncreditedby uncreditedThe guy with the mohawk and endless knowledge of The Wire.
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She hangs her coat at Marvel Studios as an assistant finishing colorist!
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2024Cut to BlackWeb Exclusives
Cut to Black: Tawan Bazemore, Colorist and Editor
by uncreditedby uncreditedHe is captured by the mix of color and it’s emotional impact and narrative depth of a visual story.
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2024Cut to BlackWeb Exclusives
Cut to Black: Aneesa Meador, Assistant Editor
by uncreditedby uncreditedHorror films have inspired her to look deeper for what can be possible in editing.
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2024Cut to BlackWeb Exclusives
Cut to Black: Christopher Columbus Watkins III, Assistant Editor
by uncreditedby uncreditedFor each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American members, both past and present, and their accomplishments. We look …
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