Engineer

The canvas of The Right Stuff (1983) is rightly thought of as large — Herculean, even. In recounting the history of America’s valiant test pilots and astronauts, writer-director Philip Kaufman’s …

Fifteen years ago, if you told Jen Monnar that she would one day work as a music editor on films directed by the likes of Marc Webb, Neil LaBute, and …

Sound editors and mixers need to be confident that their room acoustics are not skewing their judgment.

With movie-going audiences expecting fully immersive visuals from 3D presentations, the sound post-production community is fast playing catch-up with immersive surround-sound systems.

The first Foley artist to receive the Motion Picture Sound Editors’ (MPSE) Career Achievement Award, Foley artist John Roesch has contributed to over 400 movies in the last four decades, …

Probably best known for his creative work on the scores for director Peter Jackson’s The Lord of The Rings trilogy, scoring mixer John Kurlander earned three consecutive Best Score Soundtrack …

This article looks at the East Coast sound contingent, which consists of a handful of post-production facilities that cater to the needs of independent filmmakers and directors based close to …

To relate the history of film post- production sound during the past 75 years is to tell the story of the creative post facilities that made such developments possible through …

Representing one of the most exciting new sound post-production facilities to be built in Tinsel Town in several decades, the Technicolor at Paramount complex on Melrose Avenue in Hollywood comprises …

Legendary movie producer Sam Goldwyn wrote the quote, opposite, in an article for The New York Times Magazine in 1949, just as television was emerging as a major mass medium.