For both mixing and workstation technologies at Technicolor’s new post complex, Avid served as the primary hardware supplier.
Engineer
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The Soundman is a unique document of how sound departments worked in the later days of studio system dominance.
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A compilation of early Oscar winning editors.
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Whether they selected films or not, the music editors voiced a range of opinions about whether an award for Best Music Editing was even a good idea. Their perspectives on …
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Features
Transformative Mixer: Greg P. Russell Strives for a Well-Balanced Soundtrack
by Mel Lambertby Mel LambertWith some 190-plus films to his credit, not to mention 14 Academy Award nominations, it is perhaps hard to believe that such a seasoned re-recording mixers Greg P. Russell, CAS,got …
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This movie is a playground for sound,” says Randy Thom, CAS, referring to director M. Night Shyamalan’s latest film, The Last Airbender, for which he serves as supervising sound designer, …
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I am still passionately involved—working with clients who require cost-effective methods of designing post-production facilities, recording studios, acoustics and home theatres internationally and am proud to be part of this …
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They say brevity is the soul of wit, and scoring mixers seem to have a sense of humor about what their job entails. “We get coffee for the composer. End …
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Some people have a plan. I did not, do not, and am still not sure what I would like to be when I grow up. Oh, I am mostly grown, …
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Working on Leverage gave Kenneth L. Johnson his own leverage to push his own shop, Artistry in Sound, to the next level.