Film

By Rob Feld   Evan Henke has always had that fascination with a certain art form.  “Ever since I was a kid, I wanted to work in movies,” he said. …

‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’

By Rob Feld   For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only child, he entertained himself by crafting elaborate narratives with action …

“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE.

“You can’t just show up with backgrounds that a visual effects studio built, put the actors in front of it, and think you’re going to shoot it.”

Goldenberg’s C.V. covers a long list of projects, ranging from big-budget actioners like “6 Underground” (2019) and Michael Bay’s “Transformers” films to quieter dramas like “Unbroken” (2014) and “Seabiscuit” (2003). 

“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.”

By Patrick Z. McGavin   As an undergraduate in the film department at Boston University, Sofi Marshall made a crucial early connection with the filmmaker Jane Schoenbrun.   “We had …

Littleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president …

By Patrick Z. McGavin   Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick  earned an Oscar-nomination for “13th” (2016), a documentary about the …