film editing

By Rob Feld   Evan Henke has always had that fascination with a certain art form.  “Ever since I was a kid, I wanted to work in movies,” he said. …

“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.”

“It is a performance-driven film so there’s nothing to hide behind.”

“The Holdovers,” set over Christmas vacation in 1970 at a New England boarding school for boys, is the bittersweet portrait of complicated relationships among a grumpy teacher with a troubled …

For director Robert Zemeckis, Schmidt was the editor of, among other classic films, the “Back to the Future” trilogy (1985, 1989, 1990), “Forrest Gump” (1994), and “Contact” (1997). He won …

“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving …

Marion was known for her dedication to bringing the director’s vision to the screen, and she was fiercely loyal to the many varied directors she worked with.

“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and …

By Patrick Z. McGavin   Through his collaborations with Judd Apatow, Adam McKay and Paul Feig, Brent White, ACE,  is a go-to picture editor for bringing the funny in films. …

Text-Based Editing, empowered by AI, starts by automatically transcribing your source media and generating accurate text transcripts of all the dialogue. By associating names to the different voices, Text-Based Editing …