How Pam Martin found the right shots in the tennis biopic ‘King Richard’
film editing
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Web Exclusives
Hank Corwin Talks Editing and Collaboration in ‘Don’t Look Up’
by Rob Feldby Rob Feldby Rob Feld Hank Corwin followed his college girlfriend to New York as a young man, wanting to be a playwright. “I was romantic — I even painted my …
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Web Exclusives
Tanya Swerling Talks About Editing George Clooney’s ‘The Tender Bar’
by Rob Feldby Rob Feld“The minute I started, I knew I’d found my passion.”
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Web Exclusives
Sabine Hoffman Talks of Editing a Black and White Journey in Period Drama ‘Passing’
by Rob Feldby Rob Feld“’Passing’ is a story of many layers—it invites another look, a second viewing, and with every round you notice other aspects.”
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Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th …
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Features
Catrin Hedström on Editing the Sequel to the Slasher Classic ‘Candyman’
by Rob Feldby Rob FeldHedström’s recent feature “Candyman,” directed by long-time collaborator Nia DaCosta, is a sequel to the 1992 slasher classic.
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ColumnsFeaturesUnion Made
UNION MADE: Patrick McMahon on His Journey From the Rink to the Cutting Room
by uncreditedby uncreditedPatrick McMahon, ACE, cut many horror/suspense projects, including the original, “A Nightmare On Elm Street.” He’s also edited seven pilots (five of which went to series) and documentaries including HBO’s …
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“This is a small town and we are sure to work together in the future. If I can do something now that will help you be better now, you’ll be …
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Features
How Myron Kerstein and His Team Captured the Emotional Highs of ‘In the Heights’
by uncreditedby uncredited‘In The Heights’ Offers an Emotional Experience – And the Post Team Had to Find Ways to Capture It.
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Web Exclusives
Mark Yoshikawa Talks of Editing Terrence Malick, Christopher Guest, and the new ‘Reminiscence’
by Rob Feldby Rob Feld“Over the course of four films with Terry Malick, I spent a lot of time in Austin. To say we were ‘bunkered down’ during the editing process is probably an …