A New Book Looks at the Tortured Creators – and Editing-Room Nightmare – Behind ‘Midnight Cowboy’
film editing
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Web Exclusives
WSC Panel: How the HBO Mystery ‘Mare of Easttown’ Was Posted Remotely
by uncreditedby uncreditedAmy Duddleston and her crew went to work recutting what had been shot of all of the seven episodes, taking each one through a director’s and a producer’s cut remotely …
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Traditionally, a picture editor was the person snipping celluloid together, writes Anousha Sakoui in The Los Angeles Times. Like many roles in Hollywood, the route into the industry is not …
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In MemoriamWeb Exclusives
In Memoriam: Milton Ginsberg, Documentary Editor and ‘Coming Apart’ Filmmaker, Dies at 85
By Peter Tonguette Milton Moses Ginsberg, a pioneering independent film director who maintained a career-long sideline as a picture editor, died May 23 at the age of 85. …
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Committee NewsNewsWeb Exclusives
PPASC: Tom Cross and Ai-Ling Lee Give Master Class on Editing, Career and Life
by uncreditedby uncredited“It’s not about realism after a certain point. It’s about emotional value.”
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Web Exclusives
Allyson Johnson on Editing the New Drama Series ‘The Mosquito Coast’
by Rob Feldby Rob Feld“Allyson is an extraordinary film editor with the most marvelous sense of musical rhythm that permeates her entire process of cutting and shaping motion picture,” says Mira Nair.
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DepartmentsMPEG DiversityWeb Exclusives
PPASC: How Richard Chew and Other Film Pioneers Raised Asian American Visibility
by uncreditedby uncreditedAsian American picture editors Chew, Lisa Lassek and William Hoy, ACE, discussed their influences, their careers and the cultural experiences that shaped them during a “Celebrating Asian Pacific Heritage Month” …
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Web Exclusives
Dody Dorn Edits Zack Snyder’s ‘Army of the Dead’ to Help Kick Off Summer Movie Season
Zack Snyder’s “Army of the Dead,” which Netflix will release in theaters and via streaming on Friday, merges two seemingly irreconcilable genres: the zombie movie and the heist movie.
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Web Exclusives
‘The Water Man’s’ Blu Murray: How a Fateful Nod from Clint Eastwood Gave An Assistant His Big Break
by Rob Feldby Rob FeldAfter “Sully,” Murray cut “The 15:17 to Paris” for Eastwood, “Glass” for M. Night Shyamalan, and recently finished “The Water Man” for actor-cum-director David Oyelowo.
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Cover StoryFeaturesMPEG Diversity
Changing Minds: Stevie Waichulis Talks Being a Trans Person in Post
by uncreditedby uncreditedIt always upset me that people felt that I needed to change in their eyes, that I was never good enough in my own skin or attire. My true identity …