Post-production professionals are regularly asked why they select specific picture cuts or sound transitions. Those with successful careers know how to discuss, and sometimes defend, their choices in language that …
Film History
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Over the decade leading to 1973, with the progress achieved by the civil rights movement, a greater awareness emerged in the African-American community of its own history and culture. Despite …
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It is with extreme sadness that I report the news that our dear friend and colleague, Paula Greatbatch Suhy, has left us. She passed away on Tuesday, May 29, 2018 …
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Book ReviewsColumnsWeb Exclusives
Wham, Bam, Panoram:
The Forerunner of Today’s Music Videosby Betsy McLaneby Betsy McLaneDuring its heyday from 1940 to 1946, hundreds of Soundie reels, each holding eight films, were circulated to roughly 3,500 Panorams located throughout the United States.
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Meyerson momentarily stopped thinking of scores like songs for one of his most personally significant projects: writer-director Terrence Malick’s World War II drama ‘The Thin Red Line,’ released by 20th …
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To hear Robert “Bubba” Nichols describe it, working as a recordist sounds a little like serving as a fighter pilot. Okay, okay — pilots operate under life-and-death pressures in the …
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As a seven-year-old living in the jungles of Matute, Colombia, I was surrounded by an exotic land. My pets weren’t limited to the three dogs and six cats that roamed …
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From the age of six, Ada McGrath refuses to speak, yet film audiences first saw and heard how clearly she communicates on May 15, 1993, when Jane Campion’s ‘The Piano’ …
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Book ReviewsColumns
Man with a Shorinofon:
When Russia Embraced the Talkiesby Betsy McLaneby Betsy McLaneFew Americans, even those who work with motion picture sound, have heard of the Tagefon and Shorinofon systems, but readers interested in the intricacies of how sound first meshed with …
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Book ReviewsColumnsWeb Exclusives
Sonic Echoes from the Pre-Digital Era
by Betsy McLaneby Betsy McLaneThe period during which the newsletter circulated was a critical and tumultuous one for movie sound. It was clear to all that digital would ultimately replace multi-track analog, but no …