Film History

The Wizard of Oz re-released on home video? Again? That’s a question that’s going to be asked a lot as the studios finally dip into their libraries to release evergreen …

Why David O. Selznick feared a tombstone epitaph as the man who made Gone with the Wind (1939) is mysterious. This film was his Tara as much as it was …

When do we make an edit?  Where do we make an edit? I find the answer is increasingly: “Edit often.”

It’s a journey of marriage, with all its highs and lows and in-betweens.

Miloš Forman has focused on one theme: How society grinds down the individual and is basically corrupt and hypocritical. 

No doubt about it, this is a very funny film. But it is more than just the string of lunatic comedic moments; it also examines themes of friendship and growing …

CineMontage has turned to the Guild’s erudite, critical and scholarly branch––the story analysts––and asked them to venture deep inside their inner film geeks, to forget that their professional reputations could …

Beneath its seemingly innocuous appearance, the story attacks the very structure of our society… The audience recognized this. The truth is that they recognized themselves.

The films of Stanley Kubrick, rich in their aesthetic complexity, have generated a considerable bibliography.

In 1959, the Nouvelle Vague, or New Wave, revolutionized the concept of film editing and scene construction in international film.