Film History

Fantasy has had a rather schizophrenic time in Hollywood––one year being the worst possible genre to pour money into unless it’s going straight to video, the next year sweeping the …

I was quite late to the game in discovering my love of cinema. I grew up on a steady diet of Tom and Jerry, old sci-fi shows and MTV videos.

Documentarian Robert J. Flaherty was regarded by the poet e.e. cummings as “a god among men,” an opinion echoed by Orson Welles, who compared Flaherty to the poets Walt Whitman …

The alien Klaatu and his super-robot companion Gort have just made a return visit, touching down upon our planet again on December 12––when the remake of The Day the Earth …

Comedy, as they say, is all in the timing. Therefore, a comic’s best friend has got to be the film editor. But how does one become a good comedy editor? …

Metro-Goldwyn-Mayer’s film legacy is its musicals. Perhaps because it was the most politically conservative of the major studios, MGM was more comfortable with melodramas and musicals than with social issues.

“A movie is like a clay statue and editorial is the final part of that molding.” – Clint Eastwood

‘The Lion in Winter’ is probably one of the few perennially popular films from 1968.

After dinner, one evening, Mom and Dad asked if I would like to work as a child extra in the new Bud Abbott and Lou Costello movie, Mexican Hayride.

CineMontage talked to four editors of Bond past: John Glen, Terry Rawlings, A.C.E, Michel Arcand and Christian Wagner.