“Fran likes to talk. You just ask her a question and she can go on for 15 minutes. And part of the answer will not appear related to the question …
Film
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By Peter Tonguette Last year, picture editor Tariq Anwar, ACE, had a most unusual experience: His editing room came to be inhabited by civil rights leader Malcolm X, boxing great …
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Web Exclusives
Harry Yoon Talks About Editing the Immigrant Experience in ‘Minari’
by uncreditedby uncredited“So many of the scenes, especially seeing them come to life in the dailies, were these explosions of memory.”
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Movie theaters closed. Broadway went dark. Concert venues fell silent. But 2020 still led to some special projects in entertainment and arts. Here are some of our picks for the …
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Web Exclusives
How Post Helped Robert Zemeckis’ ‘The Witches’ Cast a Spell (and Survive a Pandemic)
by uncreditedby uncreditedIt’s bittersweet seeing the movie released into the world, knowing that it might never see a wide release in theatres. But in the end, where you see it doesn’t matter …
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Ren Klyce and Jeremy Molod of ‘Mank’ Break Their Silence on the Sound Secrets of 1940s
by uncreditedby uncreditedDirector David Fincher commanded his own army of Foley artists, dialog editors and sound specialists for his iconoclastic biographical portrait of the screenwriter Herman J. Mankiewicz (Gary Oldman).
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“Hollywood has repeatedly written its own obituary,” writes Brook Barnes in The New York Times. “It died when Star Wars (1977) and Superman (1978) turned movies into toy advertisements. The 1980s (VCRs), …
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Robert Grigsby Wilson on Editing Radha Blank’s ‘The Forty-Year-Old Version’ on Netflix
by uncreditedby uncreditedBy Patrick Z. McGavin A sensation at the Sundance Film festival in January, Radha Blank’s “The Forty-Year-Old Version” was a breakout platform for its director, producer, writer and star. …
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“There was a click track, but it was completely useless—because this was live JAZZ!”
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Web Exclusives
Adam Gough Found the Right Moves in Spike Lee’s ‘American Utopia’ with David Byrne
by Rob Feldby Rob Feld“All I want from a director is trust. Without that, there isn’t the foundation for a mutual relationship that allows you to be creative.”