“We were bouncing ideas off each other, and picking up the cuts of each other.”
Film
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Web Exclusives
Oscar-Nominated Editor Joe Klotz Talks About Bringing It All Back Home in ‘Motherless Brooklyn’
by uncreditedby uncredited“We had different noir films that were our touchstones, like ‘Chinatown’ in particular.”
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Web Exclusives
Tom Eagles on Editing Taika Waititi’s ‘Bonkers’ Hitler Movie ‘Jojo Rabbit:’ The ‘Tone Was a Tightrope Walk From the Start’
by uncreditedby uncredited“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.”
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Web Exclusives
Princeton’s Su Friedrich and Her Website Salute the Vital, Often Unsung Work of Women Editors Throughout History
by uncreditedby uncredited“It was extremely difficult to find more than the skimpiest info about editors, so I just kept digging and digging.”
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Web Exclusives
Jeff Groth on Editing Joaquin Phoenix in ‘Joker’: ‘He Was Free to Experiment, So He Did’
by uncreditedby uncredited“We wanted to do something different, not just from Batman, but from all comic-based films.”
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Web Exclusives
Kayla Emter On Editing Club Scenes, Chopin Music and J-Lo’s Sexy Pole Dance in Lorene Scafaria’s ‘Hustlers’
“There were a few dance moves that made my jaw drop.”
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Web Exclusives
John Axelrad and Lee Haugen Take Editing Voyage into Deep Space with Brad Pitt in James Gray’s ‘Ad Astra’
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.”
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Web Exclusives
Kelley Dixon Talks About Editing John Crowley’s ‘The Goldfinch’
by uncreditedby uncredited“I recognized early on what this kid was going through and how he felt.”
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“This was a huge volume of footage, making it one of the most challenging projects of my career,” says Jordan.