Film

Since making his first independent film, “The Return of the Secaucus Seven,” Sayles has established a unique relationship with the industry.

“We very consciously wanted to create the late Seventies in Hell’s Kitchen, which was massively dirty. It was loud and it was nasty.”

The director fought censors on both sides of the Atlantic from the start of his career to the very last.

In 2003, after sound editor, sound designer and re-recording mixer Ron Bochar, CAS, completed work on Mike Nichols’ miniseries Angels in America, he felt good about what he and his …

“During production, Quentin does not enter the editing room. He doesn’t want to look at any edited footage because he just wants to focus on shooting the movie.”

Cathy Repola of MPEG says that “sensationalized headlines” about the California bill have “created a great deal of confusion among our members.”

“Growing up, I always dreamt of seeing a Latina heroine on TV or in the movies.”

“My first thought was, ‘Oh God, this is perfect material for Francis — he’s going to do a fantastic job with this,” remembers editor Anne Goursaud, ACE, regarding Bram Stoker’s …

Onetime head of post-production at Amblin and Paramount will be honored at October 5 gala.

Faced with a demanding career and a time-crunched personal life, a veteran film editor is behind a new system designed to help colleagues find the right balance.