Film

Nostalgic fans of Siskel and Ebert may be the only readers to welcome all this detail.

“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.”

“It is a performance-driven film so there’s nothing to hide behind.”

“One of the things we had to adapt very early on is the communication in the form of notes from Michael.”

  by Kristin Marguerite Doidge    Sunday’s 74th Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), brought together legends from past, present, and future to recognize this year’s …

“The Holdovers,” set over Christmas vacation in 1970 at a New England boarding school for boys, is the bittersweet portrait of complicated relationships among a grumpy teacher with a troubled …

“I knew the film we were going to make would have to depart from the 1985 movie in terms of tone – and that we’d have to find our own …

The lights came on… Shock. Silence. “Oh man, we’re just working on a schlock low-budget Roger Corman sci-fi,” we thought.

Working with film took Lame back to the dawn of her career. Lame noted that most editors her age and younger have worked only in the digital world, so the …

“In making a film, it is key to have a first-rate cinematographer and a first-rate editor,” Allen said.