Film

The blacklisting of Communists, former Communists, union supporters, socialists and people whose only agenda was to create films was a fact of life in the entertainment industry during the 1950s …

In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in …

There was a time, in the 1980s in San Diego, when there weren’t any theatres that showed foreign, independent or avant-garde films except for one place: the Unicorn Theatre.

Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’

As one of the most anticipated sequels, with one of the longest waits ever for it to come to fruition, ‘Blade Runner 2049’ pays tribute to Ridley Scott’s iconic sci-fi …

Midge Costin, MPSE, is making a documentary about motion picture sound and its editing.

As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society …

Introducing the program, ACE President Stephen Rivkin welcomed the audience and announced that for the first time, EditFest LA was being streamed online.

In 1973, the tennis court became an unlikely showcase for the heated battle of feminists and their foes. Bobby Riggs, a top tennis player in the 1940s and showman extraordinaire, …

In 1998, when re-recording mixers Rick Alexander and Richard D. Rogers first met with director John Frankenheimer about working on “Ronin,” there were many subjects that could have been discussed.